Reflective Summary (also in PDF file)

After participating in a workshop on basic HTML I discovered I was not as much a stranger to the world of contemporary technologies as I initially worried I might be. Even through the small amounts of blogging I had done prior to the module I had taught myself some simple HTML for visuals without realisation. Despite this I still felt my knowledge too basic to miss out any stepping stones by throwing myself into creating a whole site using exclusively HTML, although this is something I want to learn in the future. 

My research took me on many trips out within greater London, from the Hindu temple on the edge of Wembley to the Buddhist fsmpls in Wimbledon. I find myself much more receptive to information when discovering it first hand, imparticular visual information. With a project stemmed primarily from a love of patterns, the items in the V&A and architecture of the significant buildings provided a wealth of visual information, the majority of which I drew into sketchbooks on location. Later these drawings and photographs were backed up with additional written information on my research blog, for example, the website ‘MindBodyGreen’ was very valuable resourcewise for me during the course of the project with articles specifically placing the concepts of ‘peace’ and ‘being grounded’, key philosophies of the chakras, into the modern, western world lifestyle. Publishing my research on the blog allowed for me to experience another form of contemporary technology and made it easily organised enough for me to look back when later applying research to working, but also meant I could gain feedback from others at any stage. 

The art style I chose to use was very connected to surface pattern design, using multiple media such as acrylics/inks I allowed myself to get carried away inspired by the research thus far. This meant that I could incorporate patterns from my V&A studies etc. I kept the colours and symbolism on each sheet within the realms of the relevant chakra point. The messiness and freedom of the working style, whilst still having significant motives that gave it some organisation, was supposed to portray the idea of a transition from an imbalanced lifestyle to a balanced one. I also chose to vectorise the patterns using Adobe illustrator to enhance this. 

Following an informal review with peers at an approximate halfway point within the project I realised that my pieces thus far had no purpose and only existed for themselves. In order to overcome this, I returned to my two initial brainstorms of ‘imbalance’ and ‘chakra points’ to contextualise the seven coloured pieces and give them more of a meaning. It was at this point I decided to look into the tea traditions, as well as teas being linked to balances themselves, each chakra point supposedly also has its own ‘flavour’ and each one is associated to imbalances of different body parts or moods. At a personal development level, I also wanted to re-explore branding/packaging as its something I’ve only tried once before at secondary school level. By badging each ‘tea’ under the names of a chakra point and assigning each one its applicable imbalances, I created a range of seven products which I intended to be aimed at adults of the Western world who live lives plagued by imbalances often not realising it. Choosing to print the vectorised designs onto brown paper gave the pieces more of a raw, authentic feel, although it obviously did rather dull the colours down to be less vibrant. 

I felt the most appropriate method of online publishing would be to give the “product” a website of its own. The next pathway within my research was to look at how companies operating with a similar ethos used the internet to promote a product and engage with customers. Using this information I turned to Adobe Muse to begin creating a site of my own, initially I spent a week trying to get to grips with the software and despite being near failure I persisted until suddenly I understood its dynamics. Being familiar with other software from the CreativeSuite I was able to construct a fairly basic five page website which incorporated pieces from my research under the titles ‘about’ and ‘inspirations’. I chose the addition of slideshow widgets in order to add some movement dynamic to the site, drawing the viewer’s eye to the photos themselves. Similarly, I chose to give the website essentially an opening page using the full-screen slideshow tool as I felt my seven coloured pieces should also be shown in full-colour, however had this of been an exercise purely rooted in branding, I would say that they were not in sync with the mutes tones of the website and packaging itself. 

Because of the fact that their main purpose within the project was to be suitably published online, I had to consider mostly how the teabag boxes would photograph and hence keeping the packaging fairly simplistic amongst the hectic patterns was essential. Therefore I was not able to execute some of the more innovative box shapes I initially drew up, however I do believe that the rectangular shapes photographed well both together and alone. The addition of gold paper for both the button logo and the flavour label was probably the decision that solely transformed it into a ‘product’. In conclusion, having started this module has significantly developed my understanding of various contemporary technologies and their significance in our society, particularly within the practice of visual communication. Through both blogging my research and using Adobe Muse for the first time I was able to solve the brief within the parameters of contemporary technologies. As we enter 2015, the idea of a product or person not being connected with the web seems unrealistic and I certainly see the beneficial nature that having had the opportunity to experiment with multiple ways to post online at this early stage, will have on my own personal professional future. 



Word count of reflective summary: 1000 words exactly.

#38


Photos of finished product tea bag boxes, as these are only for photographic display purposes to be published on line I have not printed the information/details for the label on the back of the packet. However, this will definitely be displayed alongside the individual products online. The packaging will be fully evaluated in my reflective summary at the end of the module, however I am glad that I went for the more simplistic shape design as the mishmash of patterns is already competing with one another.

#37

I tried to write/draw up this post myself, but with 100% credit going to its writer Sarah Walsh, I felt it was more appropriate just to post a link to the article which is sole sufficient in the area of yoga and chakra points:

http://www.mindbodygreen.com/0-11865/7-yoga-poses-to-balance-your-chakras.html

After having researched innocent smoothies brand philosophy in depth, I feel that what my website plans thus far are lacking in is interactivity with the consumer. There are several routes I could take this, but I think it is key to remember the whole aim of the project in combatting imbalances and hence a section of the website dedicated to yoga/meditation etc and other supporting lifestyle changes to make healthier and more vibrant type lively people!! I previously posted a meditation mantra which could also be included here, but the issues really come on how to visually brand these elements to keep them in keeping with the rest of the site.

Sketchbook pages from my visit to the Buddhist temple in Wimbledon, London.

#35


Today I found this beautiful temple near Ikea! Following my previous visit to the Buddhist Temple in Wimbledon it was really lucky to accidentally stumble across this Hindu place of worship which is known as the Shri Swaminarayan and located in North West London. It is really good for me to have an equal balance of sources from both Buddhist and Hindu practices as they both have equal influence of the chakra point traditions and beliefs and it is even more valuable when I can see and experience these things first hand! Unfortuately though I was not allowed within the gates of the temple at the time of my visit so I was unable to get any proper drawing done, the zoom button on my camera and my impeccable pattern-memory have served me well though and I think this may have been the final push I needed to get my work into 'final outcome' form ;)

#34


My initial idea for transforming the simple patterned paper pouch into a product inspired by my research process was to create a shape similar to that of the temple I visited in Wimbledon - taking the triple layered tiled roof and also possibly creating a window cut out using the shape of the window frames at the real life temple. However, upon placing these elements together I immediately drew to the conclusion that it was too complex and not only was it creating an overcrowded, less sophisticated feel but it also would not look very effective when photographed in a group for the online publishing aspect of the task.

#33


I decided to examine basic colour/emotion theory but also in relation to the seven chakra symbols and their corresponding colours. I only noted down emotions etc which came up under both the basic understanding of colour and the mindfulness things which are associated with each chakra point too. This is really important and significant in designing both an online environment and a product which is inspired by the whole chakra system theory as it is important to pick the correct palettes associated with and symbolising the corresponding emotions and energy points. 

http://www.theguardian.com/lifeandstyle/2008/jul/06/healthandwellbeing.relaxation31




#32

Using this link I was able to answer some guiding questions which led me to conclusions about my proposed product idea and got me thinking in greater depth and broadened my ideas - such as the inclusion of a bottled ice tea range to sit simultaneously with the boxed tea.. At the same time however the process simultaneously managed to help me focus in. Here are some of the notes I made:






#31


From the images I posted a couple of days I have tried to take them somewhere digitally, vectorising them in illustrator - live tracing and adjusting the colours in photoshop. This particular picture began life as a work of ink, acrylic, sharpie and fine liner. Surprisingly even the tiny fine liner details have been picked up - but the limited colour palette makes them blend in and become mrs of the original image, yet the type of thing you have to look twice for. I have decided that this is the sort of design which I want to continue with for the backgrounds of my final packaging pieces and/or website, so I intend to make one relevant to each of the seven chakra points - in taste, colour, pattern and symbolism.

#30


    
   



An important part of my research since taking the 'Imbalance' project down a packaging and branding route, has been looking into how other food and drink brands promote and package their products. Some of this research has been subconscious whilst consuming various brands and browsing supermarkets, whereas other research has been more active and online - using sites such as pinterest which pick up on less prolific brands as well as the widely available one. Innocent is one of the best known fresh drink companies in the country, famous for its fun and cheeky packaging and known for its ethics and impeccable brand ethos. 

Upon visually researching their current branding, I looked into several aspects - including their charity work, their website and their standard packaging. I think one of the keys to Innocent's success is the fact that their product is applicable to people of all ages and backgrounds - with the fun and games on the packaging honestly being just as appealing to professionals as to small school children - similarly the product is likely to be seen as part of the lunch of both these target market groups. Meanwhile, the numerous charity efforts that Innocent partake in - such as the knitted hats or the 'Tastes Good Does Good' campaign - show them to be a kind-hearted and selfless company, whereas some of their competitors may only be in the industry for the money! The simplicity of the packaging is something I can really learn from, using the logo as the main image and adjusting only the colour-ways means that the product is instantly recognisable and through simple association one can take a guess at the taste and flavourings too. The inside of the packaging often includes facts or activities and the website's interactive platforms take these to the next level. 

The 'Big Knit' a yearly campaign run by Innocent sees members of the public knit an array of tiny novelty hats and these are then sold on top of bottles during the winter, with the small amount of additional profit on each bottle going towards making older people warmer during the colder months. It is schemes like these which Innocent have established that encourage non-regular customers to pick up a bottle and feel good about themselves!! Again this is made interactive by a very lively online platform at which photos of the best hats are uploaded alongside thank yous and videos from the older people who have benefited from the scheme, patterns to knit more hats and games for the children. This brand shows the absolute optimum usage of every element of branding and packaging, but inparticular it exemplifies some of the best ways to make use of an online platform.

#29


These are some photos taken during the process of assembling the packaging. Having opted for keeping the pouch shape, but losing the roof and window due to overcomplexity, I had to find a way t simplify the design, to make it more visually in line with the idea of being grounded through curing chakra imbalances. It is also important that I made this somewhat more practical - with a resealable closing that would keep the teabags themselves fresh and fragrant! My best option was to create a tab (plain colour toned down by being brown paper printed) which could be fastened by a golden button. The addition of gold paper for printing gave the packaging what I felt to be a slightly more authentic look but also drew in on the ideas of religion, deities and also self-worth which I drew in on during my research stages.

#28


General Plan/Update:

My intention is to take the imagery I have, the information on colours, taste and chakra imbalances, with the background knowledge of religious significance and religious back stories (and the contrast between this idealism and modern, western life) to create a range of seven 'teas' inspired by each of the seven chakra points which aim to help combat the physical and social imbalances these cause. I am interested in both surface pattern design and the idea of branding and packaging (although the latter is something I haven't done for a while) so my intention is to take these two skills to create boxes, a logo and an online presence for the product.

#27


In hindsight I probably should have better documented the process I went through in order to experiment with varying different shapes and sizes of boxes and packaging. Starting with deconstructed pre-existing packaging, some nets found online and also some made through trial and error, I tried to achieve a number of different shapes that I'd already drawn up. However, most of these were unsuccessful due to overcomplexity or inability to fit more than one or two teabags! There was also the issue that whilst the more interesting structures (i.e. 5th photo down) which constructed using triangular folds were nicer to look at, they would be harder to make on mass. In the end I opted for a simplistic paper pouch, which I am still potentially going to look at transforming into the shape of a temple.

#26


Using Illustrator's 'Live Trace' tool I transformed the paint and ink drawings that were originally  extremely messy into 6 colour vector pieces, the smoother formations and distinctive colours give the impression of some form of order, whilst maintaining a certain vibrance which could be connected to perfect wellbeing. I believe that the balance between the messy 'energy' and the more precise smooth lines can be linked to the transition between imbalance and balance (combined with the modern lifestyle). The bright colours promote vitality and youth whilst the free-ness and variation in brushstrokes hold a level of excitement, making them visually interesting to look at. The yellow and purple images were created by digitally layering two compositions on top of each other, this helped combat the blank spaces and areas of plain colour.